Saturday, January 31, 2015

Savile Row, etc , fashion illustration

Figure studies, 2b pencil, digital colour.
Portraits of various Savile Row tailors and gentlemen of style.

David Gandy, model, etc

 Mr Hitchcock, head cutter, Anderson and Sheppard, Clifford St.
 Richard James, Savile Row tailor.
 Simon Crompton, style blogger (
Carlo Brandelli, creative director, Kilgour, Savile Row.
 Tom Ford

Saturday, April 12, 2014

Sketchbook drawing, jazz vibraphone

Sketchbook drawing, ink and watercolour, jazz vibraphone, A4 sketchbook
Really great time drawing a vibraphonist. Amazing instrument; its pedal lifting the bars like a breathing ribcage, the little rotating dics atop the tubes like tiny gills. Not to mention the sound. From an artistic point of view it's a fabulous subject as it's so physical to play. A figure study with a nice perspective challenge. Much more difficult than it looks!

Wednesday, March 26, 2014

Sketchbook reportage, Jazz Trumpet

Drawing of Jazz trumpet player, ink and watercolour, a4 sketchbook
This drawing was rescued by the watercolour. I'd hoped to draw the female saxophonist leading the group (women in jazz seem to be a minority) but I arrived before the band and they set up the front line the other way around.

Sunday, March 02, 2014

Jazz musicians drawing

Jazz musicians, drawing in ink and watercolour, A4 sketchbook 2014
Again faced with a complex scene that wasn't naturally placed across the gutter, I lost a bit of time wondering how to draw. I liked just the figures painted so chose not to add surroundings. It would have been just watercolour of the lighting and shadows on the floor; the pink and orange stage lights at the venue throw really interesting angles to include in compositions. The turquoise shadows are a favourite thing I like to add.

Wednesday, February 26, 2014

Drummer drawing, sketchbook

Drummer, ink and watercolour drawing in A4 sketchbook

Sunday, January 19, 2014

Jazz group sketchbook drawing

Jazz group, Ink and watercolour drawing in A4 sketchbook, 2014
I've not been too happy with my drawings post-Cowley, though this feels better despite running out of time to finish. The last gig I went to I chose not to draw at all because of a deeply uninspiring view and stifling volume. I really like drawing this horn player but it was hard to place them on the page in a way that didn't put him in the gutter. I wasted a bit too much time puzzling over that before going for it. I quite like the spatial thing that's happening with him unpainted and breaking into the next page. A kind of jazz ghost..

Monday, December 09, 2013

Guitarist, Jazz sketchbook

Drawing of jazz guitarist in A4 sketchbook, ink and watercolour
I'd wanted to draw the violinist leading this group but the seating arrangement and 'the curse of the music stand' made it very tricky. I went for the guitarist and his lovely fender amp instead. He was rocking back his footstool when I got to that bit, which is why the footstool looks odd.

Tuesday, November 12, 2013

Trumpeter, Jazz sketchbook drawing

Drawing of jazz trumpeter, ink and watercolour, A4 sketchbook

I spent a bit too long looking at the musicians before getting to work this time.

Friday, November 01, 2013

Neil Cowley Trio- Mr Big Plays Jazz

Drawing of pianist Neil Cowley, ink and watercolour, A4 sketchbook

Drawing of Bassist Rex Horan, ink and watercolour, A4 sketchbook
This week I drew the incredible Neil Cowley Trio.

As part of a week of half term activities, the event linked up Symphony Hall's Jazzlines program with the The Campaign for Drawing's Big Draw and The Big Fun, a national family arts festival.  'Mr Big plays Jazz' was a live drawing and jazz event at Birmingham Town Hall bringing to life Ed Vere's children's book about a jazz loving gorilla. The listings invited the kids to bring a pencil and pad to join in; I needed no further encouragement and snapped up a third row seat. It's very hard to get to draw at ticketed gigs. Drawing at a Neil Cowley gig would have been top of my list, and an ambition ticked off.

Neil read each spread of the story, providing suitable musical accompaniment while Ed carefully drew lovely ink drawings that were projected onto a large screen. Once they'd finished the story, Ed got the kids to draw along as he showed how to draw Mr Big. At the end of this he asked everyone to hold up their paper so they could pick the best three drawings to show on the big screen. Around me various pads and scraps of paper with drawings of Mr Big were held aloft while I thought about what to do. I cautiously held open my sketchbook as Ed peered out into the audience. It was funny to watch his eyes dance between the various pieces of paper and as he caught my book he stopped, squinted and leaned forward for a closer look at what was obviously not Mr Big. He asked if I'd mind him having a closer look and I passed the book forward.

Now, normally I do my best to be very discreet drawing at performances and keep very much to myself. I don't assume the subjects would be in any way interested, or that they'll like being drawn. Fundamentally I draw for myself; I have my own objectives and the last thing I want is to become more conspicuous than absolutely necessary. It can be a huge challenge to draw amongst an audience, and particularly to draw people who are moving around yet get a good likeness. For a moment I began to get a bit apprehensive; the trio were going to see my drawings, and I was going to be outed.

After showing three of the best drawings by the children, Ed showed my drawing of Neil, and then Rex on bass. I took a few quick photos as he slipped my book under the projector to show everyone. I like the photo of bassist Rex Horan looking at his drawing.

I have to say the drawings looked bloody good up on a twenty foot screen. To have a band being drawn on a big screen could be a great backdrop for a relevant act. It was a fantastic event, and great to see just how people of all ages loved watching Ed draw.

I'm regretting not using better paper for these, given it was something special. The sketchbook doesn't take washes that well. I also ran out of time to properly draw Evan, their magnificent drummer.

Sunday, October 20, 2013

Jazz sketchbook- Audience and Guitarist

Drawing of audience at jazz gig, A4 sketchbook, ink and watercolour

Drawing of guitarist in A4 sketchbook, ink and watercolour
Two drawings this week, from a position at the back. This gives a more general viewpoint and therefore more subjects to choose from, but at the expense of detail. The guitarist's face is a case in point, as he was much happier than my drawing would lead you to believe. ..That's the blues for you!

Friday, October 11, 2013

Jazz drawing, September

Drawing of jazz quartet in a4 sketchbook, ink and watercolour

This scan isn't quite straight; you are advised to hold your head at an angle. This was a jazz group led by Sam Slater on guitar, playing Django-influenced swing. Percy Pursglove on trumpet/flugelhorn, Lluis Mather saxophone/clarinet, Chris Mapp on bass.

The paper is beginning to bug me; really I should be using heavier paper designed to take water, but then the drawings would become something different. I want these to be sketches rather than laboured paintings.

Saturday, September 14, 2013

Drummer and Reflection

Drawing of Jazz drummer A4 sketchbook, ink and watercolour
Dearest reader, I direct your attention to the attempt to engage with the reflected lighting in this drawing. At Symphony Hall there's a large window in the cafe space used for the performances. In the Autumn as the light falls outside the interior becomes much more prominent by the end of the gig. In Winter it's like a cold big black mirror.

Tuesday, September 10, 2013

Saxophone, A4 sketchbook drawing from jazz illustrator, ink and watercolour
The Autumn jazz performances begin after a summer break.

Monday, July 22, 2013


I was invited to an evening soiree recently; a benefit of being urbane and well-bred, no?
Great food, great jazz. I broke out the sketchbook to draw.

Friday, July 19, 2013

Birmingham Jazz Festival 3

Jazz festival drawing in A4 sketchbook, ink and watercolour
I made a last minute dash to catch Boogie Woogie pianist Bob Hall and guitarist Dave Peabody at the festival (above), who were every bit as excellent as I'd anticipated.

Photographer Drew Kirkland was also at the festival again, and caught me in action earlier in the week..

Sunday, July 14, 2013

Sketchbook drawing, Jazz Festival 2013

A4 sketchbook drawing in ink and watercolour, jazz festival, 2013
Third outing drawing Birmingham Jazz Festival 2013; my second visit came to an end when an over officious security guard needlessly moved the band halfway through the gig. Just moved them several feet, but it meant I had to abandon a good drawing. This was the excellent Jon-paul Gard Organ Trio. It came as no surprise to hear them mention in their introduction a security guard almost wouldn't let them set up. What a welcome.

These were drawn live, and painted 'as live' later working from a short video I took. The drying time involved with watercolour would make painting during a performance unworkable. Knowing you'll be painting later sharpens up your perception as you make mental notes about colour relationships.

Saturday, July 06, 2013

Jazz Festival 2013

Sketchbook drawing of acoustic jazz trio, ink and watercolour. Birmingham Jazz Festival 2013.
This year's Birmingham jazz festival begins. These were gypsy jazz exponents The Barrett Brothers. I like what the rudimentary watercolour adds to these drawings, though the paper is possibly suffering a bit too much.

Saturday, June 01, 2013

Jazz, June

Jazz, saxophonist, sketchbook drawing, ink and watercolour
jazz guitarist sketchbook drawing, ink and watercolour
Feeling under par, so tried something different. Whilst the band were setting up, through the walls Elvis Costello could be heard doing his sound check inside Symphony Hall.

Saturday, May 25, 2013

Jazz, June

Jazz musicians, A4 sketchbook drawing, ink and pencil
First drawing an a new sketchbook..